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rbAnotherwayinwhichyoudealwithspecicplacesisbymakingsculpturalorarchitecturalinstallations.Talkaouthowyougoaoutmakingthechoicesthatresultinyourinstallations.mlIhaveeenmakinginstallationssincetheearly1970s.beforethatIwasengagedinsculpturephotographyandperformanceandallthoseactivitieshaveinuencedwhatIdotoday.Thespaceofaninstallationcanethoughtofasakindofreplicationnotoftherepresentedlandscapeitselfutoftheexperienceofthatlandscape.Itecomesasensoryequiva-lenttoaeachforexampleinaroadprojectionwithsur-roundsoundortoavastprairiewithsynchronizedimagesonfourwallsaroundyou.Ofteninmulti-channelpiecesIimplantasubliminalnarrativethatowsbackandforthacrossmoni-torsorprojectionsandasinthe3-channel7-monitorWilder-ness1986createsapoeticAbAbCbCformonmultiplesources.SometimesIincorporatefoundojectsasinAsylum1986whichIfeeladdsakindofauthenticitytotheenviron-mentandworksasanechooraccompanimenthelpingtocom-pletethevideoyextensionintothespacearoundit.Eventhefurnitureintheviewingspaceecomespartoftheinstallation.Theimportantthinginanyroomistoremainawareofthesmallaswellasmajoraectsofthespaceandtohaveevery-thingfunctionintheserviceofthework.Nothingeveninthedarkistrulyinvisile.