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JillMosersnewpaintingsaresimultaneouslyincandescentandreezingliketropicalbirdspreeningonaniceberg.Thewhitegroundsetsthetemperaturebutthegesturalmembranesosilverpaintestablishtheultra-cooltoneaoatingqualitythatpositsahypnoticdislocationasanobservedconditionomodernlieandaseed-bedoranecessaryrediscoveryandrestatementothebeautiul.Moserspaintingsaccomplishthistaskanditsonemeasureotheirdepththattheybeginbyremindingusoartthatmightserveastheirprecedentandthenshowingushowandwhytheyturnawaytowardssomethingelse.Ataquickglanceandromadistancethepaintingsevokeamen-tholatedEuropeanrenditionopost-warpaintingaSchooloPariscoolingdownodeKooningandPollock.TheirimpeccablesenseostylewilldrawyouinwhereyoucanconfrmthattheyaresimplybettermadethanmostpaintingsbytheaptlynamedInormelartists.Mosersvirtuosityismostdazzlingwhenitseemstopullbackromtheveryshowinessitcourts.Hergorgeouselasticsenseolineandbrushedgesturehasexpandedintosev-eraldierentregistersobrushwidthvelocityandcolor.ThejourneyoherworkhasbeenaslowevolutionromarelativemonochrometoachoreographeddispensationoourfveandsixcolorseachassignedtoaspecifcgesturaltypeomarkmakingasetodefnedmovementsinitslocationlikeaMerceCunninghamdancerwearingaparticularcolorocostumeandoccupyingaspecifclocationonastage.Onecharacterinthesenseoboththecalligraphicandfguralmightbemakingalargeslowencompassingmovementwhileanadjacentchar-actermightbelunginganddarting.AthirdcharacterthecerisepinktriangleatthebottomoClockofPink2011orinstancewillmakeuriousinwardsgestureslikehandsandfngerswiggling.CaughtintheActJillMosersSuspendedPresent