Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20of shadows: immaterial yet concrete, describing as they do a physical relationship between object and plane. From his point of view, the house became a sort of sundial, the cast shadows marking increments of time. When he began creating Shadows (Penobscot) Soriano decided to reference the clapboards of the house with parallel horizontal lines, and inserted circular “portholes” inside of and around which he would describe the shadows under observation. He composed the work from left to right, largely without preparatory drawings, allowing it to unfold chronologically as the seasons advanced and the angle of the sun changed. Come spring, for example, as the morning sun caught a bit of the north Permanent Maintenance, 2015, Colby College Museum of Art